Anne Hathaway Batman Dark Knight Rises
On July twenty, 2012, The Nighttime Knight Rises, the long-awaited conclusion of Christopher Nolan's Batman trilogy, finally striking theaters. To say that it was highly predictable was an understatement, to be certain, as it followed ane of the well-nigh critically, commercially, and financially successful movies of all time. Rumors and fan speculation were rampant in the four years between The Dark Knight and The Night Knight Rises, ranging from Hugo Strange and Riddler being the film'southward villains, Robin Williams beingness considered to play Strange, and Joseph Gordon-Levitt being tapped to portray Alberto Falcone. That's not to mention the hypotheticals regarding the plot, particularly if and how the story would handle the Joker afterwards Heath Ledger's unfortunate passing.
Over time, pieces started coming together, painting a pic of what the final chapter of "The Nolan Trilogy" would finish up looking like: a sprawling ballsy that would deal with the aftermath of The Dark Knight'south finale, taking elements from stories like Knightfall and No Man's Land, with the villainous Bane the latest– and perhaps terminal– villain to cross this version of Batman. All of the major players in the cast would return, with serial newcomers like Tom Hardy, Anne Hathaway, Marion Cotillard, Joseph Gordon-Levitt, and Ben Mendelsohn joining the fray. Upon its release, The Night Knight Rises was a bonafide hit, with positive reception from both audiences and critics, and it made a mint to boot, earning over a billion dollars at the global box office.
Somehow, it has been ten years since this film premiered, even though in some ways it feels like it just came out yesterday.
But has time been kind to the flick?
Having rewatched it recently, it'southward… pretty expert. It did non– and could not– accomplish the heights of its predecessors, and has some glaring flaws that keep information technology from true greatness. Information technology might be lacking as a "definitive Batman story," given its time jump after the previous film and Bruce's desire to hang upwardly the cowl for proficient, but information technology fits thematically equally the de facto conclusion to this particular story. Knowing that Christopher Nolan and his brother Jonathan were inspired past A Tale of Ii Cities, information technology'south easy to encounter the story equally an exaggerated fable as opposed to a truly straightforward narrative. That doesn't totally excuse the story's weaknesses, mind yous, but it does help to improve sympathize their intent.
What's most telling about The Nighttime Knight Rises' legacy is how picayune of a cultural footprint it has any more. Not to say that constant references and thinkpieces and what have you are the only indicator of a film'south success, but information technology hasn't stood on its own as well as its predecessors. It was a massively successful picture that practically everyone went to come across, simply where Batman Begins and The Dark Knight are still existence discussed in depth to this day, Rises is brought up more than in clan with the other two films rather than on its own merits.
Just await at the vehicles from each movie: everyone remembers the Tumbler from Batman Begins, and the Batpod from The Dark Knight is but equally pop as its iv-wheeled counterpart. The Dark Knight Rises gave the states another new vehicle with the Bat, which should have been awesome, but instead it just looked like a floating Tumbler. At that place have been tons of Batmobiles throughout the years, and the Tumbler has a decent hazard of popping into someone'south caput when you ask about Batman'due south cinematic vehicles, but chances are that if yous say "think of a Batman vehicle that flies," most people volition picture the Batwing from 1989's Batman. The Bat only wasn't that memorable, all exist told.
If whatsoever 1 element of the picture has persisted in popular civilisation, it'south Tom Hardy's Bane. Endlessly referenced and parodied, and with elements that made their fashion into cosplay circles, comic books, and even The LEGO Batman Movie and the Harley Quinn serial, it was a large, bombastic performance in all the all-time means. Hardy always commits everything to his roles, and he fabricated this very unique accept on Bane very entertaining.
Marion Cotillard's "Miranda Tate" has had a bit of a reputation every bit well, merely for all the wrong reasons. Her operation is mostly good, save for one widely-maligned scene toward the end of the film, and she does some solid work with the somewhat underwritten material. It's the ane-two punch of her "needed another take" death scene and her graphic symbol'southward truthful identity being the globe's worst kept secret that brought the portrayal down.
Conversely, Anne Hathaway— who originally thought she was auditioning to play Harley Quinn– turned in a fantastic performance as Selina Kyle, notwithstanding she hardly gets brought upward outside of "rank the best Catwoman" posts. Go back and watch the scene in the bar where she hands over the sleazy politician's cell phone to see how great she was: she's sultry one moment, and so turns on a dime to play up the "victimized damsel in distress."
The way she looks back afterwards her screaming fit? Brilliance.
She and Christian Bale had some really strong chemistry too, specially when they fought next equally Batman and Catwoman. While Zoƫ Kravitz'southward arc in this twelvemonth's The Batman had more substance to it than Hathaway's, making her peradventure the virtually rounded and complex onscreen Catwoman, Hathaway nonetheless turned in one of the best performances in a movie that was full of generally bully performances.
More often than not. Considering Joseph Gordon-Levitt's Robin John Blake is the ane element from the film that has aged the worst. You could generously say he's a composite character, meant to fill the office that Robin and Batman's other allies typically fill in the comics, but that's a stretch. Gordon-Levitt is a very good thespian, and generally likable, only Blake simply comes across as smug and uninteresting. Too much of the film'due south runtime focuses on him, when it could have been used to give Hathaway more than screentime, or to flesh out Gary Oldman's sadly shortchanged Jim Gordon, who was one of the virtually interesting characters in the other two films. And as for the revelation of his first proper name? I'grand yet rolling my eyes, a decade afterward.
Bated from that, the cast and performances are pretty stellar, and the movie itself has some great scenes. The get-go fight between Batman and Bane is positively brutal, with the lack of a score and the brilliant choreography emphasizing each bone-nifty blow. Wally Pfister's cinematography is every bit gorgeous as always as well, making fifty-fifty nonsensical scenes like the flaming Bat logo on the span popular.
And while Nolan's reach exceeded his grasp with some of the social commentaries he was trying to include, the movie at least tried to be nearly something. There are some really good ideas in at that place almost class warfare and inequality, even if they're but surface level.
The reception and legacy of the film tin and will differ from person to person, of course, simply I remember the about telling thing about The Dark Knight Rises is the rewatchability factor. I will gladly popular in Batman Begins or The Dark Knight and lookout them at any time, without feeling like I accept to commit to the entire trilogy. Rises, on the other manus, doesn't stand on its own as a movie, every bit it's likewise dependent on the other ii. If I'yard in the mood to sentry all iii, then I'll gladly exercise so, but I never think "I really want to picket The Night Knight Rises and only The Dark Knight Rises."
Over time, I've contextualized each of Nolan's films based on their apparent intents:Batman Begins is Nolan's take on a superhero picture; The Dark Knight is his take on a Batman offense moving picture; and The Dark Knight Rises is more symbolic, the legend that Gotham's citizens will tell of the Batman subsequently many years take passed.
For The Dark Knight Rises, maybe information technology's time we start telling that legend ourselves.
Source: https://batman-news.com/2022/07/20/the-dark-knight-rises-10-years-later/
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